Zeroing in on race, and how its treated in film
noir (and neo-noir), give a critical interpretation of its place, its function, and its presence (or absence) in one or more of the following films (e.g., Thieves Highway, Kiss Me Deadly, Touch
of Evil, Devil in a Blue Dress, L.A. Confidential). What do these noirs and/or neo-noirs have to say about
race in America after the Second World War and in our time?
No outside sources are needed
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