The author in Lu Xun’s “Madman’s diary” bemoans how he can “ever hope to face real men.” The protagonist in Ba Jin’s “Dog” seeks solace in self-identifying as a dog, and Qin Decan in Lai He’s “Steelyard” laments that “life is more miserable than death” when “a man is treated like a swine.&quot ; In light of the authors’ different approaches to the issue of “awakening,” discuss what does it mean to be human for the authors of May Fourth literature? Do all authors share the same definition?